#THE VELVET UNDERGROUND FULL MOVIE 2021 HOW TO#

'The Wind' by Nolan Strong and the Diablos is a haunting bit of doo wop that beguiled Lou Reed as a teenager, and Bo Diddley's 'Road Runner' (featured here in an especially gritty live take) is a tribute to the inspired artist who influenced everyone in the band. '17 XII 63 NYC the Fire Is a Mirror' is a piece by LaMonte Young's experimental ensemble the Theatre of Eternal Music, where John Cale learned some of the drone techniques and chaotic viola patterns he would later bring to the Velvets. As in Haynes' documentary, not all the music is by the VU. The Velvet Underground: A Documentary Film by Todd Haynes is the soundtrack album to the movie, and it reflects the trajectory of the film rather than offering a compact history of their recorded catalog. The film is not only a fine biography of the band, it's a great crash course in the intersections of various creative media that were a vital part of the New York art community in the early to mid-'60s. Filmmaker Todd Haynes has done a superb job of charting the course of how they came together and what informed their work in his 2021 documentary The Velvet Underground. Their genesis had more to do with beat poetry, outlaw literature, experimental composition, avant-garde art, and the rise of multimedia installations than the usual formula of folks getting together to drink beer and play 'Louie Louie' (not to say the latter isn't a noble pursuit). And Reed gave his permission to use “Satellite of Love” in “Velvet Goldmine.” Laurie Anderson, Reed’s widow and a filmmaker, endorsed Haynes directing the film, and other estates, like Andy Warhol’s, were supportive.Arguably the most important and influential American rock band of the second half of the 1960s, the Velvet Underground weren't much like any other group of their time, and neither was the story of how they came together. But he saw him a few times at events like the Whitney Biennial (“I was too scared,” he says). You’re in a different language, putting it in a different context and the frame is visible.” So you’re not comparing it with the real thing, apples to apples.

“I always felt like if I’m going to recreate this in a fiction form, I better do something different with it. “When I was doing research on the Bowie of `Velvet Goldmine’ or all the Dylans of `I’m Not Here,’ you come across the real thing,” says Haynes. In “I’m Not There,” rather than attempt the impossible task of finding an actor for Bob Dylan, he cast seven. His “Velvet Goldmine” was a glam-rock fantasia of David Bowie. Previously, he’s turned to deliberately artificial fictions of great musicians. “The Velvet Underground” is Haynes’ first documentary. “You really felt that coexistence and the creative inspiration that was being swapped from medium to medium,” says Haynes, who notes such localized hotbeds now seem extinct, a victim of a digital world. The documentary, more than anything, is a revelatory portrait of artistic crosspollination. Haynes patiently traces the fertile downtown landscape of Warhol’s Factory, the explosion of queer New York and how Lou Reed and the Velvets were turned on by acts like the Ramones or the experimental drone music of La Monte Young. “The Velvet Underground” is most singular in how it resurrects the 1960s downtown New York art scene that birthed and fermented the group.

#THE VELVET UNDERGROUND FULL MOVIE 2021 HOW TO#

15, plums little-seen footage and features a host of rare interviews, including founding member John Cale (who describes the band as striving for “how to be elegant and how to be brutal”), Jonathan Richman of the Modern Lovers and an early disciple, and Jonas Mekas, the late pioneering filmmaker who filmed the Velvet Underground’s first ever live performance in 1964 and to whom the film is dedicated. “The Velvet Underground,” which Apple will release in theatres and on its streaming platform Oct. Let’s get right to how this happened, this music, where these people came from and how this miracle of this group of people came together.” “There were a lot of things I was going to be like: OK, we know this. “I didn’t need to make a movie to tell you how great the band is,” Haynes said in an interview.

The velvet underground full movie 2021